Stage

$ pnpm dlx shadcn@latest add @remocn/stage

Usage

Stage is both the set and the operator camera. It places one child surface in a perspective studio, then keeps a normalized point on that surface at the center of the shot as moves change over time.

import { Img, staticFile } from "remotion";
import { Stage } from "@/components/remocn/stage";
 
export const WebsiteTour = () => (
  <Stage
    contentSize={{ width: 1440, height: 9800 }}
    moves={[
      { at: 0, x: 0.5, y: 0.04, zoom: 1.02 },
      { at: 45, x: 0.5, y: 0.04, zoom: 1.02 }, // hold
      { at: 130, x: 0.48, y: 0.5, zoom: 1.12 },
      { at: 220, x: 0.52, y: 0.96, zoom: 1.04 },
    ]}
    shake={0.12}
  >
    <Img
      src={staticFile("long-page.png")}
      style={{ width: "100%", height: "100%" }}
    />
  </Stage>
);

The child can be an image, video, live React component, or whole Remotion scene. Descendants keep animating, but they share one 3D plane. The plane settles into the studio over the first 24 frames; the camera path can continue for as long as the Sequence does.

Long surfaces and camera targets

contentSize declares the surface's intrinsic aspect ratio. Stage fits its width to the composition and allows the resulting height to extend far beyond the frame. It does not fake webpage scrolling: the long surface stays intact while the camera flies above it.

x and y are normalized target points on that surface:

• x: 0, y: 0 targets the top-left corner.
• x: 0.5, y: 0.5 targets the center.
• x: 1, y: 1 targets the bottom-right corner.

Stage clamps x and y to 0–1. Because the current target is held at composition center, the coordinates stay stable when zoom and perspective change. An empty moves array leaves the surface centered and static.

Segment easing and holds

Each destination key can choose the easing used to arrive at it. The default is the project EXPO easing. Repeat an identical pose at a later frame to create a hold.

import { Easing } from "remotion";
 
<Stage
  contentSize={{ width: 1440, height: 9800 }}
  moves={[
    { at: 0, x: 0.5, y: 0.05, zoom: 1 },
    {
      at: 60,
      x: 0.54,
      y: 0.34,
      zoom: 1.16,
      easing: Easing.out(Easing.cubic),
    },
    { at: 100, x: 0.54, y: 0.34, zoom: 1.16 },
    { at: 170, x: 0.48, y: 0.72, zoom: 1.08 },
  ]}
>
  <YourLongSurface />
</Stage>

Before the first key, Stage holds the first pose; after the last key, it holds the final pose. Keys are sorted by at, and when keys share a frame, the last supplied key wins. Missing pose fields use neutral values (x: 0.5, y: 0.5, zoom: 1, rotate: 0) instead of inheriting from the previous key.

Direct the studio

The studio props remain independent from the camera path:

<Stage
  contentSize={{ width: 1440, height: 9800 }}
  moves={moves}
  backdrop="radial-gradient(circle at 35% 10%, #403a72, #111117 58%, #08080b)"
  rotateX={14}
  rotateY={-20}
  perspective={900}
  scale={0.86}
  radius={1.8}
  reflection={0.2}
  shadow={0.8}
  light={0.65}
>
  <YourProductScene />
</Stage>

Lower perspective values exaggerate depth. reflection, shadow, and light clamp to 0–1. radius is a percentage of the composition width, so the corner treatment scales across render sizes.

The customizer deliberately exposes experimental ranges: both rotations reach -180–180°, perspective reaches down to 50px, and scale reaches 0.1–3. Rotations beyond 90 degrees reveal the browser's naturally mirrored back face instead of making the surface disappear. Very low perspective and high scale can clip most of the surface; that is intentional for extreme close-ups and abstract depth treatments.

Deterministic handheld movement

shake adds low-frequency operator movement and smoothly interpolated seeded noise. The same seed, frame, and strength always produce the same render.

<Stage moves={moves} shake={0.18} seed="homepage-take-03">
  <YourScene />
</Stage>

Use 0.08–0.2 for a restrained human operator. shake clamps to 0–1.

Text and source bleed

Fractional zoom continuously resamples glyphs. If small live text trembles, put willChange: "transform" on each text container, not every word. Keep 1px borders outside those promoted layers so borders stay sharp.

The outer frame clips the surface. Targets near an edge, zoom below 1, and strong perspective can reveal the backdrop around it. Leave breathing room in the source or keep edge targets slightly inset, such as y: 0.04 and y: 0.96.

For an optical finish, wrap Stage in CameraLens. Stage supplies the physical set and operator path; CameraLens supplies bloom, softness, chromatic aberration, and vignette.

StageKey